Oscar Education

Shylock's reasons for wanting to kill Antonio come across as very arbitrary and obscure. He compares his desire to kill Antonio with "Some men there are love not a gaping pig, / Some that are mad if they behold a cat" (4.1.46-47). He follows this with the statement, "So can I give no reason, nor I will not, / More than a lodged hate and a certain loathing / I bear Antonio" (4.1.58-60). This inability on Shylocks's part to give a concrete answer as to why he wants to kill Antonio can only be explained by understanding the doubling between Shylock and Antonio.

This doubling of Shylock and Antonio takes place through the way they use money and family. Antonio starts the play unable to make his money breed because he takes no interest. He further has no wife or children and therefore emerges as an impotent character. Antonio reveals in Act Four what sort of person he represents: "I am a tainted wether of the flock" (4.1.113). The "wether" is a castrated male sheep, thus directly stating the fact that Antonio is unable to breed. Shylock starts the play on the opposite extreme, able to make his money breed with interest and his family breed through Jessica. However, it is Antonio who convinces him to not take interest on this particular bond, and it is later Antonio whom Shylock accuses of allowing Jessica to escape. Thus for Shylock, Antonio represents the man who made him impotent as well. His hatred towards Antonio can thereby be explained. It is further irony that in this act Antonio makes Shylock convert to Christianity, thus removing even that distinction between the two men. In essence, the destroyed Shylock at the end of the play is very similar to the melancholy Antonio in the beginning.

Portia adds to this sense of doubling when she arrives in the court. She asks, "Which is the merchant here, and which the Jew?" (4.1.169). Indeed, given the confusion so many people have with the title, it is often this very question which is asked. Scholars have tried to attribute her question to blind justice, arguing that Portia does not want to show any favorites. However, on an Elizabethan stage she would be able to recognize Shylock immediately from his distinctive dress.

The essence of doubling is reinforced even more with the double exclusion of the two men at the end of the play. Antonio, having received half of Shylock's wealth, essentially takes over for Shylock by using Shylock's money. Scholars have debated about the nature of the "merry bond" between Shylock and Antonio. Some have suggested Shylock meant to circumcise Antonio, others think he meant to make Antonio take over his place. The fact that Shylock accepts a Christian condition of taking no interest is supposedly offset by the fact that if Shylock wins, Antonio must act Jewish.

Another interesting interpretation deals with why Antonio must stand trial at all. In the Bible Paul said that Jewishness is an internal condition, not external. This implies that Shylock is Jewish not because he was born that way, but because he acts that way. Thus Antonio's mistreatment of Shylock violates this explanation of Jewishness by despising Shylock because of his external features. It is this sin for which Antonio is judged.

Throughout this play there is also the concept of the scapegoat. The scapegoat was used as a way of purging a town of its sins by heaping them onto the unfortunate animal instead. The town would drive one goat out of town and sacrifice another. Both men fit this description in The Merchant of Venice, with Shylock clearly driven out of society and Antonio representing the goat about to be sacrificed.

One of the great ironies of this play is where Shylock calls Portia, "A Daniel come to judgment, yea, a Daniel!" (4.1.218). Daniel was the biblical judge of Susanna, a woman accused of inchastity by the Elders. The story is famous because Daniel rules in Susanna's favor, thus rescuing her. In addition to freeing her, he then further convicts the Elders. Shylock's mistake is that he is premature in calling Portia a Daniel, because he is the one who represents the Elders, and Antonio signifies Susanna. This inversion comes only a few lines later, when Portia not only frees Antonio, but convicts Shylock of attempted murder.

The relationship between Antonio and Bassanio comes to the forefront in this section. Antonio can literally be seen as a lover of Bassanio, willing to die for him (4.1.260-274). This creates the conflict between Portia and Antonio, a conflict she is willing to test by demanding that Bassanio give her his ring. The fact that Bassanio parts with the ring for Antonio's sake, as does Graziano, implies that Bassanio chooses Antonio over Portia. This of course is unacceptable, as is seen in the next act where Portia severally chastises Bassanio for loving a man more than he loves her.

The rings have a further meaning though. They are given by Bassanio and Graziano as a token of respect and friendship to people they deem to be men. Thus the ultimate symbolism is that the rings are given to friends who are also their wives. This fusion of friendship and marriage is an unusual one, and serves to strengthen the relationship between the couples.

Source: http://www.gradesaver.com/merchant-of-venice/study-guide/short-summary/